Until the final month of his life, there was one film that George A Romero never mentioned to his wife.
The couple were sent a copy of The Amusement Park three weeks before his death in 2017 by the curator of a retrospective planned in Torino. It was a public information film about ageism but the charity that commissioned it decades earlier had been so disturbed by the final product they cancelled the release and shelved the prints.
Suzanne Desrocher-Romero was stunned by what she saw. Her husband less so. “George thought it was really nothing,” she says. “It was meant to be a community service film. He just didn’t
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