Pacific Northwest Ballet principal dancers Noelani Pantastico and James Yoichi Moore pine symmetrically in Maillot’s take on Shakespeare’s tale of woe. Angela Sterling
If you want something funny and beautiful and tragic to happen in your life later this week, then pick up a ticket to Jean-Christophe Maillot’s Roméo et Juliette at the Pacific Northwest Ballet.
As I wrote last month in a weepy blog post, this February production of R&J marks the last time PNB principal Noelani Pantastico will resurrect her signature role as Juliette and leap into the arms of her longtime Roméo, James Yoichi Moore. After this run, she’ll retire from the company before heading out
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