As befits its title, “Assassin Club,” begins with an elaborate action-heavy murder. Throughout the almost two hours it takes to unfold, the audience witnesses a few more. These intrigues unfold in a few European locales, though the locations are hardly striking, just places where the illusion of globetrotting can be created on a budget. It’s a B-movie through and through, yet one made with panache and attention to the action scenes. Director Camille Delamarre choreographs and shoots combat set-pieces in an exciting manner.
Henry Golding plays a master hitman whose latest mission is to find and kill six other assassins — the “club” of the title, though only one