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‘Kennedy’ Review: Anurag Kashyap’s Rogue-Cop Saga Twists and Turns but Never Fully Grabs

It’s 11 years since Anurag Kashyap’s electrifying five-hour crime opus “Gangs of Wasseypur” jolted Cannes audiences, triggering renewed global interest in Indian genre cinema and vaulting Kashyap to auteur status with several subsequent films granted A-list festival premiere...

‘The Pot au Feu’ Review: Tràn Anh Hùng’s Gorgeous Gastromance Stays at a Slow Simmer With Lusciously Tender Results

In the rose-gray light of dawn, Juliette Binoche strides through a verdant kitchen garden, wearing a straw hat as wide and undulating as an ocean wave. She plucks a majestically large, gnarled celeriac from the earth and sniffs...

‘The New Boy’ Review: Cate Blanchett Returns to Australia For an Eerie, Atmospheric Clash of Faiths

The new boy doesn’t get a name, and he doesn’t give one. Arriving at an isolated orphanage in rural South Australia in the early 1940s, he’s taken in with brisk kindness by the two nuns who oversee the...

‘About Dry Grasses’ Review: Nuri Bilge Ceylan Paints the Minutiae of Misanthropy on a Vast, Ravishing Canvas

“Does everyone have to be a hero?” The question comes from thirtysomething art teacher Samet (Deni̇z Celi̇loğlu), burst out in frustration in the heat of an intense argument with his fellow educator and would-be girlfriend Nuray (Merve Di̇zdar),...

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Sydney’s huge Gaza protest shows there’s now no stopping the tide of public opinion | Sarah Malik

The rain couldn’t stop us. At least 100,000 people took over the CBD and marched across Sydney’s Harbour Bridge...
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