Owen Gleiberman

Remembering Kenneth Anger, the Greatest Underground Filmmaker Who Ever Lived

Most artists, if they’re lucky, invent one thing. But Kenneth Anger, who was a filmmaker, an author, a debauched aristocratic scenester and, to the day of his death at 96 (he reportedly died May 11, though it wasn’t...

‘Asteroid City’ Review: Wes Anderson’s New Film Is a Piece of 1950s Desert Americana That’s Visually Dazzling and Dramatically Inert

As much as any filmmaker alive, Wes Anderson has a canon of movies that look and feel all of a piece. The diorama design, which extends from his life-size-dollhouse sets to his graphic lettering; the acting so stylized...

‘The Mother’ Review: As a Military Sniper Who Comes Out of Hiding to Protect Her Daughter, Jennifer Lopez Anchors an Inflated Action Movie

In a movie career that stretches back 25 years, Jennifer Lopez has on occasion done flaked-out underworld thriller romance (“Out of Sight”), capery action (“Parker”) and revenge (“Enough”). Yet she has never placed herself at the center of...

‘The Quiet Epidemic’ Review: A Documentary About Chronic Lyme Disease Needs to Make the Case — and Does — That CLD Exists

Does chronic Lyme disease exist? That’s the question that haunts “The Quiet Epidemic,” Lindsay Keys and Winslow Crane-Murdoch’s worthy and provocative documentary about the highly controversial syndrome. (The movie premieres on VOD on May 16.) The filmmakers argue,...

‘The Night of the 12th’ Review: The French Thriller That Won the César for Best Picture Is a Homicide Mystery With More Mystery Than...

Watching a police-procedural homicide drama, whether it’s the grungiest of VOD potboilers or the most visionary film of the genre, Michael Mann’s silvery, dread-drenched “Manhunter,” we more or less know one thing: At the end of two hours,...

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Sydney’s huge Gaza protest shows there’s now no stopping the tide of public opinion | Sarah Malik

The rain couldn’t stop us. At least 100,000 people took over the CBD and marched across Sydney’s Harbour Bridge...
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